#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Here's the tab for the Doors "Break on Through" -- As always, any and all
discussion welcome!
-- Wyz (wyzard@vet.purdue.edu)
#########################################################################
Artist: The Doors
Album: The Doors
Song: Break On Through
Intro/Verse:
============
Emajor
sl . . sl .
e-|--------------------------------------|------------------------------------
B-|-------------------------------------.|------------------------------------
G-|--------------------------------------|------------------------------------
D-|---------------2--0-----2--2-----0---.|----------2--0-----2--2-----0--2----
A-|--------------------(2)-------2-------|---------------(2)-------2----------
E-|----12\---(0)-------------------------|-12\--(0)---------------------------
You know the day destroys the night, night divides the day
{* The two ghost notes above are played at different parts of the song. *}
{* By listening to the album, you can tell when to play them. *}
Bridge:
=======
Dmajor
e-|----2-------2------------2--------2----------------------------------------
B-|----3-------3------------3--------3----------------------------------------
G-|----2-------2------------2--------2----------------------------------------
D-|----0-------0------------0--------0----------------------------------------
A-|---(0)-----(0)----------(0)------(0)---------------------------------------
E-|---------------------------------------------------------------------------
Tried to run, tried to hide
Chorus:
=======
Emajor __________________________________
|3
e-|----------------------------------------|----------------------------------
B-|----------------------------------------|----------------------------------
G-|----------------------0h2p0-------------|---------------------0h2p0--------
D-|---------------0-1h2----------2---0--2--|--------------0-1h2---------2-----
A-|--------0h1-2---------------------------|-------0h1-2----------------------
E-|---0-3----------------------------------|--0-3-----------------------------
Break on through to the other side, break on through to the other side,
Break on through to the other side, yeah.
{* Repeat Intro/Verse and Bridge *}
We chased our pleasures here, dug our treasures there
But can ya still recall the time we cried?
{* Repeat Chorus *}
Break on through to the other side, break on through to the other side.
{* Repeat Intro/Verse during keyboard solo *}
Everybody loves my baby, everybody loves my baby,
She get...She get...She get...She get...high.....
{* Repeat Intro/Verse and Bridge *}
I found an island in your arms, country in your eyes,
Arms that chain, eyes that lie.
Revised Chorus:
===============
Emajor __________________________________
|4
e-|----------------------------------------|----------------------------------
B-|----------------------------------------|----------------------------------
G-|----------------------0h2p0-------------|----------------------------------
D-|---------------0-1h2----------2---0-2---|-----------0h1h2------------0h1h2-
A-|--------0h1-2---------------------------|-----0h1h2------------0h1h2-------
E-|---0-3----------------------------------|-0-3--------------0-3-------------
Break on through to the other side, break on through to the other side,
Break on through, oh...oh yeah...
Second Bridge:
==============
E7#9
e-|-----15--15------15---15---15-----15--15----15---15---15---X---15----------
B-|-----15--15------15---15---15-----15--15----15---15---15---X---15----------
G-|-----13--13------13---13---13-----13--13----13---13---13---X---13----------
D-|---------------------------------------------------------------------------
A-|---------------------------------------------------------------------------
E-|--0-----------------0----0----0-----------0----0----0----------------------
{* Continue, using Second bridge as pattern *}
Made the scene, week to week, day to day, hour to hour
{* Repeat First Bridge *}
Gate is straight, deep and wide
Outro:
======
Emajor
e-|----------------------------------------------------------------------------
B-|----------------------------------------------------------------------------
G-|-------------------0h2p0---------------------------------0h2p0--------------
D-|-------------0-1h2---------2--0-2------------------0-1h2--------2---0-2-----
A-|-------0h1-2---------------------------------0h1-2--------------------------
E-|---0-3-----------------------------------0-3--------------------------------
Break on through to the other side, break on through to the other side,
Emajor
e-|---------------------------------------------------------------------------
B-|---------------------------------------------------------------------------
G-|---------------------------------------------------------------------------
D-|--------------0-2---------------0-2---------------0-2----------------------
A-|-------0h1h2-------------0h1h2-------------0h1h2---------------------------
E-|---0-3---------------0-3---------------0-3---------------------------------
Break on through, break on through, break on through
e-|---------------------0-----0---0-0--0-0--0-0--0-0--0-0--0-0--0-0--0-0--0-0-
B-|-----------2h3h5----b3----b3----b3---b3---b3---b3---b3---b3---b3---b3---b3-
G-|---0h2h3h4-----------------------------------------------------------------
D-|---------------------------------------------------------------------------
A-|---------------------------------------------------------------------------
E-|---------------------------------------------------------------------------
Break on through, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah!
Legend:
=======
h = hammer-on \ = Slide down . = Staccato note
p = pull-off / = Slide up () = Ghost note
b = bend up note one whole step
--
-- Wyz (wyzard@vet.purdue.edu)
Date: Sat, 13 Dec 1997 15:18:51 -0800
From: "Paul S. R. Edwards"
Subject: TAB: "Break On Through" Organ Solo (The Doors)
THE ORGAN SOLO
TO
"BREAK ON THROUGH"
words and music by The Doors
The guitarist in my old band worked this out with me one jam session
when we were trying to cover it. It is one of the easier solos of Ray
Manzarek to transfer to guitar because it is played on the regular
organ. Just add a bit of reverberation and chorus. It also sounds ok
on acoustic guitars.
--0--0--0-0--0-0--0--0-0--0-3-3--3-3--0-3-0-- REPEAT THIS ONCE
--0--0--0-0--0-0--0--0-0--0-3-3--3-3--0-3-0--
----------------------------------------------------
----------------------------------------------------
----------------------------------------------------
----------------------------------------------------
--0-0-0--7-7-7-5----- REPEAT THREE TIMES
---------------------7-
------------------------
------------------------
------------------------
------------------------
--12b13--12b13--12b13--12b13--10h12-- REPEAT THREE TIMES
-----------------------------------------------
-----------------------------------------------
-----------------------------------------------
-----------------------------------------------
-----------------------------------------------
--12-12--10-10--12-12-12--10-10-- REPEAT THREE TIMES
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------
Then you fall back into the verse tab:
------------------------------
------------------------------
------------------------------
---------2-0----2-2----0----
--------------2------2----2--
--7s0------------------------
Have fun.
The Joker
crystal_.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 17 Jul 1995 10:11:23 -0400 (EDT)
From: Douglas French
The Crystal Ship
Words and music by The Doors
Before you
Fm Cm
slip into unconsiousness I'd
Bb Db
Like to have another kiss, an-
F Bb7
oth - er flashing
C Bb F Eb F Eb
chance at bliss, another kiss, another
F Db Ab Eb
kiss.
C7 C7
The
days are bright and filled with pain, en-
close me in your gentle rain. The
time you ran was too insane, we'll meet again, we'll meet a-
gain.
[piano solo]
Fm Eb
Fm Eb
Fm Db Ab Eb
C7 C7
Oh,
tell me where your freedom lies, the
streets are fields that never die. De-
liver me from reasons why you'd rather cry, I'd rather
fly.
The
crystal ship is being filled, a
thousand girls, a thousand thrills. A
million ways to spend your time; when we get back, I'll drop a
line.
====================
Douglas French
dfrench@site.gmu.edu
====================
end_of_t.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
song:END OF THE NIGHT
by:the Doors
from the album:"THE DOORS" 1967
TRASCRIBED BY:LUIGI DE TROIA
Em
Take the highway to the end of the night
D D#m Em D D#m Em
End of the night, end of the night
Take a journey to the bright midnight
D D#m Em D D#m Em
End of the night, end of the night
Am Em
Realms of bliss, realms of light
Am Em
Some are born to sweet delight
Am Em
Some are born to sweet delight
F#7 B7 Em
Some are born to the endless night
D D#m Em D D#m Em
End of the night, end of the night
D D#m Em D D#m Em
End of the night, end of the night
(STRUM.)
Am Em
Am Em
Am Em
F#7 B7 Em
D D#m Em
D D#m Em
Realms of bliss, realms of light
Some are born to sweet delight
Some are born to sweet delight
Some are born to the endless night
End of the night, end of the night
End of the night, end of the night
____________________
| Luigi De Troia |
| San Damiano (AT) |
| italy |
--------------------
email: luigidt@mbox.vol.it
"life is very short, and there's no time
for fussing and fighting my friend"
(Lennon & McCartney)
five_to_.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Thu, 25 Dec 1997 20:15:55 -0500 (EST)
From: MMitch9682
5 to 1
The Doors
riff 1
\---------------/
\---------------/
\---------------/
\---------------/
\---------------/
\-3--5--5--5--5-/
five to one baby, one in five
no one here gets out alive, now
you get yours baby i'll get mine
gonna make it baby if we try
riff 2 (ad lib)
\-------------/
\-------------/
\-9--7--5~7~5-/
\-------------/
\-------------/
\-------------/
the old get old the young get stronger
may take a week, may take longer
they got the guns, but we got the numbers
gonna win, yeah, we're taking over
COME ON!
solo
this solo really kicks. the opening riff was borrowed by
pearl jam and can also be seenin the "alive" solo. Mike
Mccready just moved the riff down on the fretboard
(to start on E).
it is in an Am pentatonic
the start is
\-20^-17----------------------------------------------------------
\----------20^-17-------------------------------------------------
\-------------------17-19-------17----17--19--19^-19^-19^-17-19-17
\-------------------------17-19----19-----------------------------
\-----------------------------------------------------------------
\-----------------------------------------------------------------
the rest is just playing around with that scale
then back to riff 1
your ballroom days are over baby
night is crawling near
shadows of the evening
crawl across the year
you walk across the floor
with a flower in your hand
trying to tell me no one understand
trading your dollars for a hand full of dimes
gonna make it baby, in our prime
get together 1 more time
with another solo
tabbed by
matt mitchell
hello_i_.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 17 Oct 1995 15:46:10 -0500 (CDT)
From: THINGS UNKNOWN <0211170@ACAD.NWMISSOURI.EDU>
Hello I Love You
The Doors
Joe Holloway
0211170@acad.nwmissouri.edu
Hello I Love You
For the 'Hello I love you...' parts, strike the bass note twice prior to
strumming the chords on A and G. For A it would be the 5th string, for G it
would be the sixth string third fret. Here's what it would look like tabbed:
A G
-------0- -------3-
-------2- -------0-
-------2- -------0-
-------2- -------0-
--0-0--0- -------2-
--------- --3-3--3-
Intro: A G A D 2x
A G A D
Hello I Love You won't you tell me your name?
Hello I love you let me jump in your game.
Hello I love you won't you tell me your name?
Hello I love you let me jump in your game.
A G A G
She's Walking down the street,
Blind to every eye she meets.
Do you think you'll be the guy,
To make the queen of the angels sigh?
A G A D
Hello I Love you won't you tell me your name?
Hello I love you let me jump in your game.
Hello I love you won't you tell me your name?
Hello I love you let me jump in your game.
A G A G
She holds her head so hi--gh.
Like a statue in the sky--ie.
Her arms are wicked and her legs are long.
When she moves my brain screams out this song.
Bb Ab Bb Ab
She's walking down the street.
Like a dog that begs for something sweet.
Do you hope to make her see you fool?
Do you hope to pluck this dusky jewel?
Hello
Hello
Hello
(Out)
comments questions to 0211170@acad.nwmissouri.edu
INTUNE guitar mailing list (for more info mail above)
hello_i_.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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(5.65c/IDA-1.4.4); id AA11843; Tue, 7 Sep 1993 13:57:40 +1000
(from u9150315@cs.uow.edu.au for jamesb@nevada.edu)
From: Mathew Alexander Berry
Message-Id: <199309070357.AA11843@wraith.cs.uow.edu.au>
Subject: /doors/Hello I Love You.TAB
To: jamesb@animal-farm.nevada.edu
Date: Tue, 7 Sep 1993 13:57:39 +1000 (EST)
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Content-Length: 5035
Hello, I Love You
Words & Music by The Doors
Riff A end of riffA
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------7--7--------5--5--------------------------------------|
|-----------------------------7---5----2h3p2p0-----------------|
|---5--5-------3--3--------5-------------------2---------------|
intro
Play riff A twice
Verse 1 riff A x5
Hello I love you, won't your tell me your name?
Hello I love you, let me jump in your game.
Hello I love you, won't your tell me your name?
Hello I love you, let me jump in your game.
She's
|---------------|---------------|-----------------|---------------|
|---------------|---------------|-----------------|---------------|
|---------------|---------------|-----------------|---------------|
|---------------|---------------|-----------------|---------------|
|---------------|---------------|-----------------|---------------|
|5--5-3-5---7--5|5/7-7/8-8-7-8-8|8/10-10\8-8\7-7\5|2h3-3-2-2-3-3/5|
walking down the street Blind to every eye she meets.Do you
|---------------|------------------|---------------|--------------|
|---------------|------------------|---------------|--------------|
|---------------|------------------|---------------|--------------|
|---------------|------------------|---------------|--------------|
|---------------|------------------|---------------|--------------|
|5/7-7\5-5/7-7/8|-5/7-7/8-8/10-10\8|5/7-7\5-2/3-3-5|5---7-7--5---5|
think you'll be the guy to make the queen of angles sigh?Hello
with riffA x4
I love you, won't your tell me your name?
Hello I love you, let me jump in your game.
Hello I love you, won't your tell me your name?
Hello I love you, let me jump in your game. She
|-----------|------------------|--------------------|-----------------------|
|-----------|------------------|--------------------|-----------------------|
|-----------|------------------|--------------------|-----------------------|
|-----------|------------------|--------------------|-----------------------|
|-----------|------------------|--------------------|-----------------------|
|5-5/3-5-5/7|-5--5/7--7/8-8\7--|7/8-8/10-10/12-12\10|10/12-12/14-14\12-12\10|
holds her head so high like a statue in the sky. Her
|----------------|--------------|--------------|------------------|
|----------------|--------------|--------------|------------------|
|----------------|--------------|--------------|------------------|
|----------------|--------------|--------------|------------------|
|----------------|--------------|--------------|------------------|
|7/9-9\7-10\8-8\7|5--5\3-3/5-5/7|-8-8/7-7\5-5\3|-5-5\3-3-3-3/4-/5-|
arms are wicked and her legs are long. When she moves my brain screams
out this song.
|---------|-----|---------------|---------------------------------|
|---------|-----|---------------|---------------------------------|
|---------|-----|---------------|---------------------------------|
|---------|-----|---------------|---------------------------------|
|---------|-----|1---1/3--3-3/5-|5-----5/8---8-------8\6----------|
|---------|-----|---------------|---------------------------------|
Side-walk crouches at her feet, like a
|----------------|--------------------|----------------------|
|----------------|--------------------|----------------------|
|----------------|--------------------|----------------------|
|----------------|--------------------|----------------------|
|8--8/10-10\8-8\6|8------8----8---8\6-|8/10-10/11-11/13-13\11|
|----------------|--------------------|----------------------|
dog that begs for somthing sweet. Do you hope to make her
|------------------|------------------|-------------|-------------|
|------------------|------------------|-------------|-------------|
|------------------|------------------|-------------|-------------|
|------------------|------------------|-------------|-------------|
|11\10-10/8-8\6-6/8|8\6-6\5-----------|-------------|-------------|
|------------------|--------8----8\6--|6---6-4-4-4-4|6-----4------|
see you fool?Do you hope to pluck this dusky jewel?Hello! Hello
|-----------|---------------|--------|-------------------------------|
|-----------|---------------|--------|-------------------------------|
|-----------|---------------|--------|7---7-7-5-5---5-5--------------|
|---%-x3----|---------------|--%-x3--|6---6-6-4-4---4-4--------------|
|-----------|--5------------|--------|8---8-8-6-6---6-6--------------|
|-----------|6---6-5-4-1-4-5|--------|6---6-6-4-4---4-4--------------|
Hello! Hello!
ad lib. Repeat last bar and vocals until fade.
--------------------------------------------------------------------------
Notes:
/ -slide up
\ -slide down
% -repeat last bar
--------------------------------------------------------------------------
Mathew Berry
u9150315@cs.uow.edu.au
Wollongong Uni.
hyacinth.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Chords for "Hyacinth House"
By The Doors
Album LA Woman.
Em/D
e 0
B 0
G 0
D 0
A x
E x
e-------------------- 2 -- 2 - 2 -- 2 - 2 - 0 -2 -0- 2
B-------------------- 3 -- 3 - 3 -- 3 - 3 - 0 -3 -0- 3
G-------------------- 2 -- 2 - 2 -- 2 - 2 - 0 -2 -0- 2 Repeat this
D--------- 0h2- 0---- 0 -- 0 - 0 -- 0 - 0 - 0 -0 -0- 0 through 1st
A---- 0h2 -------------------------------------------- verse
E-----------------------------------------------------
D Em/D D Em/D D
What are they doing in the hy a cinth house
D Em/D D Em/D D Am
What are they doing in the hy a cinth house to please the lions,
G D D Em/D D D Em/D D D Em/D
yeah, this day
D Em/D D Em/D D D D Em/D
I need a brand new friend who doesn't bother me
D Em/D D Em/D D D D Em/D
I need a brand new friend who doesn't trouble me
D Am G D D Em/D D D Em/D D D Em/D
I need someone, yeah Who doesn't need me
G
I see the Bathroom is clear.
G
I think that someone is near.
G A G A
I'm sure that someone is following me Oh yeah.
Verse 2
D Em/D D Em/D D D D Em/D
Why did you throw the Jack of Hearts away?
D Em/D D Em/D D D D Em/D
Why did you throw the Jack of Hearts away?
D Am G
It was the only card in the deck that I had,
D D Em/D D D Em/D D D Em/D
left to play.
Organ Solo: D Em/D, Am G D Em/D
Am G D D Em/D D
And I'll say it again. I need a brand new friend.
Am G D D Em/D D
And I'll say it again. I need a brand new friend.
Am G D G Am
And I'll say it again. I need a brand new friend
G D
the end.
By Mike Henderson
and Joshua Jimenez
i_look_a.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
song:I LOOKED AT YOU
by:the Doors
from the album:"THE DOORS" 1967
TRASCRIBED BY:LUIGI DE TROIA
C
I looked at you
Bb C
you looked me
I smiled at you
Bb C
You smiled at me
NC G7
And we're on our way
C
No we can't turn back, babe
G7
Yeah, we're on our way
C
And we can't turn back
Cm
'Cause it's too late
Bb Ab
Too late, too late
Gb G7
Too late, too late
G7
And we're on our way
C
No we can't turn back, babe
G7
Yeah, we're on our way
C
And we can't turn back, yeah
(STRUM.)
F7 C7 F C Ab C F/G C!
I walked with you
You walked with me
I talked to you
You talked to me
And we're on our way
No we can't turn back, yeah
Yeah, we're on our way
And we can't turn back, yeah
'Cause it's too late
Too late, too late
Too late, too late
And we're on our way
No we can't turn back
Yeah, we're on our way
And we can't turn back
'Cause it's too late
Too late, too late
Too late, too late
____________________
| Luigi De Troia |
| San Damiano (AT) |
| italy |
--------------------
email: luigidt@mbox.vol.it
"life is very short, and there's no time
for fussing and fighting my friend"
(Lennon & McCartney)
l_a_woma.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Mon, 28 Jun 1993 18:27:10 -0700 (MST)
From: Paul Zimmerman
Subject: TAB: L.A. Woman - Doors
To: jamesb@animal-farm.nevada.edu
Message-Id: <01GZX6P6BTBM8ZDVLN@asu.edu>
Content-Transfer-Encoding: 7BIT
LA WOMAN
The Doors
Intro:
E --9---------|--7---------|--5---------5\3|
B ------------|------------|---------------|
G ------------|------------|---------------|
D ------------|------------|---------------|
A ------------|------------|---------------|
E ------------|------------|---------------|
E -2h3----2--3--2---0h2-|------------------------|
B ----------------------|-2h3----2--3--2--0--2~~-|
G ----------------------|------------------------|
D ----------------------|------------------------|
A ----------------------|------------------------|
E ----------------------|------------------------|
E -------------------|------------------------|
B -------------------|------------------------|
G -6h7p6--7p6-----6--|--6p7--6--7--6----------|
D -------------7-----|-----------------7---7--|
A -------------------|------------------------|
E -------------------|------------------------|
E -------------------|------------------------|
B -------------------|------------------------|
G -6h7p6--7p6-----6--|--6h7p6--7--6-----------|
D -------------7-----|---------------7--7-----|
A -------------------|------------------------|
E -------------------|------------------------|
E ---------------|----------------|
B ---------------|----------------|
G -6h7p6---------|--6h7p6---------|
D --------7--7---|---------7--7---|
A ---------------|----------------|
E ---------------|----------------|
Verse 1:
This is all done by singing aline a then doing a guitar phrase, so if I put the
Well I just got into town about an hour ago.
E --------------------------------------|
B -8---7----5--7------------------------|
G -----------------5b-------------------|
D ----------------------7--5------------|
A ----------------------------7--6--5---|
E --------------------------------------|
Took a look around see which way the wind blows.
E --------------------------------------|
B -8---7----5--7------------------------|
G -----------------5b-------------------|
D ----------------------7--5------------|
A ----------------------------7--6--5---|
E --------------------------------------|
With a little girl in a Hollywood bungalow.
E -----------------------------------------|
B -----------------------------------------|
G ----------------------------------5~~----|
D -7--5--7--5--7--5--7--5--7--5--7---------|
A -----------------------------------------|
E -----------------------------------------|
Are you a lucky little lady in the city of light?
E -----------------------------------------|
B ----------------------------------5~~----|
G -7--6--7--6--7--6--7--6--7--6--7---------|
D -----------------------------------------|
A -----------------------------------------|
E -----------------------------------------|
G (For these
Or just another lost angel, City of night strike the
and let
A G A
City at night, City of night, City of night, Whoa come on
Solo: may not be exact but you can change it around and it sounds good.
E ----------------------------------------------|
B ----------------------------------------------|
G -------------------0-2-4-4b----4--2-----2~~~--|
D -------------0-2-4------------------4---------|
A -------0-2-4----------------------------------|
E -0-2-4----------------------------------------|
E ---------------------------------------------------------------|
B ---------------------------------------------------------------|
G -------0-2-4--4b--2-----2--4b--4--2-----4b---2-----2-----2--4--|
D -0-2-4---------------4---------------4----------4-----4--------|
A ---------------------------------------------------------------|
E ---------------------------------------------------------------|
E -0--5---5---5--7--5--7--7b--5-----5--7--5---7--7--7---|
B -------------------------------7----------------------|
G ------------------------------------------------------|
D ------------------------------------------------------|
A ------------------------------------------------------|
E ------------------------------------------------------|
E -9--9--9---10--10--10---9--9--9-----9\7---7--7--7~~---|
B ------------------------------------------------------|
G ------------------------------------------------------|
D ------------------------------------------------------|
A ------------------------------------------------------|
E ------------------------------------------------------|
E -7\5---5--5--5~~----5\3---|
B --------------------------|
G --------------------------|
D --------------------------|
A --------------------------|
E --------------------------|
E --------------------|-------------------|---------------|
B --------------------|-------------------|---------------|
G -6h7p6--7--6--7~~~--|-7p6--------6~~~---|-7--6----------|
D --------------------|--------7----------|--------7---7--|
A --------------------|-------------------|---------------|
E --------------------|-------------------|---------------|
E --------------------|
B --------------------|
G -6h7p6--7--6--------|
D --------------7--7--|
A --------------------|
E --------------------|
Then we go back to echoing a voice phrase with the guitar.
LA Woman
E ---------------------|
B ---------------------|
G -7b----5--7--7b~~~---|
D ---------------------|
A ---------------------|
E ---------------------|
LA Woman
E ---------------------|
B -8br-----------------|
G --------5~~~~--------|
D ---------------------|
A ---------------------|
E ---------------------|
LA Woman Sunday afternoon
E -------------------------------------------|
B -------------------------------------------|
G ----------------------------------5~~~-----|
D -7--5--7--5--7--5--7--5--7--5--7-----------|
A -------------------------------------------|
E -------------------------------------------|
LA Woman Sunday Afternoon
E --------------------------------|
B -7br----------------------------|
G -7br---5-------5----------------|
D ----------7-------7-------------|
A ---------------------7--7~~~~---|
E --------------------------------|
LA woman sunday afternoon drive through you suburbs
G A
into your blues. into your blues.
G A
into your blue, blue, blue, into your blues Oh yeah
(Piano Break)
Now the guitar plays this part under these words.
A G A G
E ------------------------|-----------------------|
B -------2--0-------------|-------2--0-------------|
G ----2----------0-----0--|----2----------0-----0--|
D -2----------------0-----|-2----------------0-----|
A ------------------------|------------------------|
E ------------------------|------------------------|
A G A G A G
I See your hair is burning
A G A G A G
Hills are filled with fire.
A G A G A G
If they say I never loved you
A G A G A G
You know they are a liar.
A G A G A G (Switch back to chords)
Drivin down your freeway
A G A G A G
Midnight alleys roam.
A
Cops in cars the topless bars, never saw a woman
G A
So alone, so alone
Back to guitar echoing the voice.
Motel money murder madness
E --------------------------------|
B -5--7br-------------------------|
G ---------5--7---7---5-----5--7--|
D -----------------------7--------|
A --------------------------------|
E --------------------------------|
Lets change the mood from glad to sadness.
E ------------------------------------------|
B ------5--8b---5---------------------------|
G -7b--------------7br--5-------------------|
D -------------------------7--5-------------|
A --------------------------------7--6--5---|
E ------------------------------------------|
Now is where the whole song slows down and keep repeating
Mr. Mojo Risin.
I don't know anymore of the song, but I think Robby just improvises in the A blu
I have seen this song asked for many times, so now that I had time
I put it up, It's really a great song to play around with, It's realtively easy
Thanks to the original poster.
Peace,
Paul Z
light_my.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: glen.word@equinox.org (Glen Word)
Subject: CRD:Light My Fire (Doors)
Light My Fire The Doors
INTRO: G D F A#
C# G# A <-----------------------Eb G#(Ab) A
VERSE: Am F#m Am F#m <------ Am7 F#m7
Am F#m Am F#m <------ " "
CHORUS: G A D Dsus4 D <------ Dsus4 ? (not in song but sounds good
G A D B
G D E E7 <------ E7 not in Doors' version
ENDING: F C D
Try to set the night on fire
Lead Portion Am Bm (over and over)
e---5--h7h8-5--5--5-h7h7-5-5----0-h2h3---0------5-h7h8-5-------------------
b-8----------8------------8------------3----5h8---------8-5-h7h8-----------
g---------------------------------------------------------------7-5-h7h8---
d-----------------------------------------------------------------------7--
a--------------------------------------------------------------------------
e--------------------------------------------------------------------------
And so on......
Later
Glen
___ Blue Wave/QWK v2.12
From: ae878@yfn.ysu.edu (Jason Todd Carter)
Subject: CRD: Light My Fire (Doors)
I didn't want to post a request without making a contribution, so here's
Light My Fire by the Doors:
INTRO: G D F A#
C# G# A
VERSE: Am F#m Am F#m
Am F#m Am F#m
CHORUS: G A D Dsus4 D
G A D B
G D E E7
This is how I form the chords:
EADGBE
------
3x0033 G
xx0232 D
133211 F
x13331 A#
x46664 C#
466544 G#
x02220 A
x02210 Am
244222 F#m
xx0233 Dsus4
x24442 B
022100 E
020100 E7
--
J.T. Carter
ae878@yfn.ysu.edu
"Women...you can't live without 'em, and they can't pee standing up."
love_me_.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From rec.music.makers.guitar.tablature Thu Oct 21 11:37:30 1993
Path: news.tcd.ie!tcdcs!ieunet!mcsun!julienas!sophia!armelle.cma.fr!lm
From: lm@armelle.cma.fr (Lionel Menard)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: REQUEST: Doors "Love Me Two Times"
Message-ID: <59171@sophia.inria.fr>
Date: 20 Oct 93 15:47:07 GMT
References:
Sender: news@sophia.inria.fr
Reply-To: lm@armelle.cma.fr (Lionel Menard)
Lines: 88
I get it in this group few month ago. Hpoe this help.
LOVE ME 2 TIMES (DOORS)
Well, the main riff is
--------------------------------------
--------------------------------------
----------------------0~1-------0~1---
----0---2---0-2-----------------------
--2---2---0---------------------------
-----------------0-0--------0-0-----0-
E7
Love me two times baby
Love me twice today
A7
Love me two times girl
E7
I'm goin' away
D7
Love me two times girl
C7
One for tomorrow, one just for today
G D C7 B7 E7*
Love me two times I'm goin' away
Love me one time
Could not speak
Love me one time
Yeah, my knees got weak
Love me two times girl
Last me all through the week
Love me two times I'm goin' away
*at the end - where this chord is accented - play E79 (0 7 6 7 8 x)
--
___________________________________________________________
| Lionel MENARD |
| Centre d'Energetique |
| Ecole des Mines de Paris |
| BP 207 06904 Sophia Antipolis Cedex |
| France |
| e-mail: lm@armelle.cma.fr |
| tel: (33) 93 95 74 23 |
| fax: (33) 93 95 75 35 |
|___________________________________________________________|
love_str.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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id AA18961; Thu, 25 Mar 93 16:49:37 EST
From: Mike Hall
Message-Id: <9303252149.AA18961@moe.coe.uga.edu>
Subject: song - "LoveStreet.crd" - Doors
To: jamesb@animal-farm.nevada.edu
Date: Thu, 25 Mar 93 16:49:36 EST
X-Mailer: ELM [version 2.3 PL11]
Love Street (By: The Doors)
Intro: Am G Gm F
Am G
She lives on Love Street,
Gm F
lingers long on Love Street.
Am G
She has a house and garden,
Gm F
I would like to see what happens.
Am F
She has robes and she has monkeys,
Gm F
lazy diamond studded flunkies.
Gm Am Bb Fmaj
She has wisdom and knows what to do,
Gm Fmaj Bb A7
she has me and she has you.
(spoken words with chords)
I see you live on Love Street,
there's a store where the creatures meet.
I wonder what they do in there,
summer sunday and a year.
I guess I like it fine so far.
--------------------------------------------
(unusual) chord diagrams:
Gm - |355333| Fmaj - |xo321o| Bb - |113331|
/////////////////////////////////////////////////////////////////
// Mike A. Hall // "If I don't die by Thursday, //
// mhall@moe.coe.uga.edu // I'll be roarin' Friday night." //
// // --J.Buffett //
/////////////////////////////////////////////////////////////////
peace_fr.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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(5.65c/IDA-1.4.4); id AA12373; Tue, 7 Sep 1993 14:01:58 +1000
(from u9150315@cs.uow.edu.au for jamesb@nevada.edu)
From: Mathew Alexander Berry
Message-Id: <199309070401.AA12373@wraith.cs.uow.edu.au>
Subject: /doors/Peace Frog
To: jamesb@animal-farm.nevada.edu
Date: Tue, 7 Sep 1993 14:01:57 +1000 (EST)
Mime-Version: 1.0
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Content-Transfer-Encoding: 7bit
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PEACE FROG
Words by Jim Morrison Music by The Doors
G5 Gm7
O x x x x
----------- -----------
o | | | o |3fr. | | | | | |5fr.
| | | | | | | | o | | |
| o o | | | | | | | o o
T 3 4 1 3 4 4
Rhy.Fig.1
G5
|----------------------------------------|
|-3-------x--3---------------------------|
|-0-------x--0---------------------------|
|-5-------x--5----x--x-----x-x-x-x-x-----|
|-5-------x--5----x--x-----x-x-x-x-x-----|
|-3-------x--3----x--x-----x-x-x-x-x-0---|
Rhy.Fig.1 x8 (Vocals enter at the end of the 8th time)
Verse 1
Rhy.Fig.1 x10
1.Blood in the streets, it's up to my ankles
Blood in the streets, it's up to my knee.
Blood on the streets, the town of Chicago.
Blood on the rise, it's following me.
Just about the break of day.
|1.____________________
Chorus: PB1
|----------------|----------------------|--------------------0|
|-----3----------|----------------------|---------------0h2h3-|
|-/4----2-0---0--|-2--0---0---------0---|----------0h4h4------|
|-----------2---2|------2-------0h2----2|-----0h2h4-----------|
|----------------|----------0h2---------|0h2h4----------------|
|----------------|----------------------|---------------------|
_________________|
|--5--5--55------|
|--x--x--xx------|
|--6--6--66------|
|----------------|
|----------------|
|----------------|GOTO VERSE TWO.
|2.________________________________...
B1 GB(0.5) B1
|--------------------0--|-7----5----5-----------|------------------|
|------------------0----|--------7-------7------|7--4--------------|
|------------0h2h4------|-----------------------|------6---6-4-6-4-|
|------0-2-3------------|-----------------------|-----------------6|
|-0h2h4-----------------|-----------------------|------------------|
|-----------------------|-----------------------|------------------|
|---7---7---77----------|
|---x---x---xx----------|
|---8---8---88----------|
|-----------------------|
|-----------------------|
|-----------------------|
VERSE TWO
Rhy.Fig.1
(I don't have the lyrics to the second verse, but just play the rhy1
you'll know when to break into the chorus again)
Chorus
(After playing the chorus again but substituting the part2 for part1)
|----------------------------|
|----------------------------|
|----------------------------|
|----------------------------|
|----0---2-0---0-------------|
|0-3---3-----3---3-0---------|x4
(this bit takes a while to get the rhy right, eventually the fingers
just do it)
|0----0----|0---0---0---0---|
|0----0----|0---0---0---0---|
|0----0----|0---0---0---0---|
|2----2----|2---2---2---2---|
|----------|----------------|
|----------|----------------|
Guitar solo
B1 B1 B1R B1R B1R B1 B1 B1 B1RB1
|-----------------------------------|-------------------|
|16--18-15---15---------------------|---15--15--15--15--|
|---------17----17--17--15-17-15--15|17---17--17--17--17|
|-------------------------------17--|-------------------|
|-----------------------------------|-------------------|
|-----------------------------------|-------------------|
B1 B1 B1 B1RB1 B1 B1 B1 B1
|----------------|----------------------|--------------------15161717|
|15--15--15--15--|--15--15--15--15------|--------------151617--------|
|--17--17--17--17|----17--17--17--------|--------151617--------------|
|----------------|----------------------|--151617--------------------|
|----------------|-----------------15-16|17--------------------------|
|----------------|----------------------|----------------------------|
*Really Fast
B1 B1 B1 B1
|1715--15--15--15-----|5-|----|--|--|--|--|--|
|----18--18--18--18---|3-|---5|6-|5-|4-|5-|3-|
|------------------17\|0-|--x-|0-|0-|0-|5-|5-|
|---------------------|0-|-x--|--|--|--|5-|0-|
|---------------------|--|x---|--|--|--|3-|--|
|---------------------|--|----|--|--|--|--|--|
rake
VERSE 3
Rhy.Fig.1
Blood on the streets. In the townof New Haven;
Blood stains the roofs and the palm trees of Venic.
Blood in my love in the terrible summer;
Bloody red sun of fantastic L.A.
Blood screams her brain they chop off her fingers.
Blood'll be born in the birth of a nation.
(Gm7)Blood is the rose of mysterio(open E string)us (Gm7)union (openE)
(G5)yea(openE)h, b(G5)lood in the streets, it's up(openE) to my ankles(G5)
(openE)(G5)Blood in the streets, it's up (oE)to my knee. (Gm7)
(oE)(G5) Blood in the strees, the town of Chicago(oE).
(G5) (oE)(G5)Blood on the rise it's followin' me(oE). (Segue to Blue Sunday)
-----------------------------------------------------------------------------
Just muck around with rhyFig1, Gm7 and that open E string for the
last part. Enjoy!
-----------------------------------------------------------------------------
Mathew Berry
u9150315@cs.uow.edu.au
Wollongong Uni.
people_.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Sun, 26 Oct 1997 17:38:49 -0500
From: Tim Krisher
Subject: CORRECTED Tablature to 'People are Strange' By the doors
People Are Strange
------------------
The Doors
tabbed by Mr. Shaun Timothy Krisher
Okay, not only am I dyslexic, but I am tabbing from memory, and this is my
first time tabbing a song. The chord names at the top are where your
fingers ought to be. I just pull off my ring finger for the A minor bit.
Now, I hate it when people tab a song and then don't put the chord
fingerings, and assume you know what Fm#7sus4add7 is, so I am going to
tab out these chords as a statement to all you boneheads out there.
So there.
Em - 022000 Putting this bit in takes around 10-20 seconds and
Am - x02210 saves the reader about three hours of hunting for
G - 320003 Am6#add7. My only hope is that you will tab out
B - x24442 chords yourself when you make a tablature.
Pretty please!
Verse
INTRO Em -> Am -> Am -> B Em
E|-----|------------------------------------------| Repeat the stuff
B|-----|o-------------1---------1----------------o| between the little
G|-----|-------0----2---2-0---2---2-0-------------| repeat bar things
D|-----|----2----2----------2---------2---4-------| and that's the
A|2-0--|o-----2-------------------------2---2----o| verse thing. I put
E|----3|--0-----------------------------------0---| the lyrics and
chords below, so
just time it with
those, and change
finger positions
Note: after Am, in the lyrics, it goes to with the ones in
Em, that's the pulloff on your ring finger. the lyrics (Use
So, keep yer hand in the Am position. the lyircs below).
I put the finger
positions in my
tab.
Okay, when you go into the chorus, just strum, it gives it a nice effect.
Maybe go distorted and do G5 (355xxx), B5 ((x244xx)or(755xxx)), and
E5 (022xxx). Then, keep it distorted, and do that verse riff above, as
like a little mini solo. Bear in mind, I'm still new to this. Well, that's
all for now. You can find the real solo to "People are Strange" on the
OLGA, which is God's gift to guitarists. I put this in because Glen Word
(the guy who put the other version of this on)asked for it. So here it is.
Here are the lyrics which I got from a previous posting oof this song
on the OLGA that Glen Word posted. Thanks, Glen. Match the riff above with
the chords on the lyrics.
Em Am Em
People are strange When you're a stranger
Am Em B Em
Faces look ugly When you're alone
(End riff, then start it over on "Women")
Em Am Em
Women seem wicked when you're unwanted
Am Em B Em
Streets are uneven when you're down
Chorus------------------------
Em G B
When you're strange faces come out in the rain
G B
When you're strange no one remembers your name
B B
when you're strange when you're strange
B (Start intro and riff here)
when you're strange All right yeah
Lastly, I want to give credit to Glen Word for putting the chords and the
lyrics on the OLGA. Thanks, Glen.
people_a.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: glen.word@equinox.org (Glen Word)
People are Strange The Doors
By Glen Word
Em Am Em Am Em B Em
People are strange When your a Stranger Faces look ugly when your alone
Women Seem Wicked When your unwanted Streets are uneven when you are
down
Em G B B
When Your strange Faces come out in the rain When Your strange
G B
Nobody remembers your name When your strange When your strange
When your strange........
(Start Over again, repeat)
Tab
Start off with --------- Then strum down the chords and
--------- then backup.
---------
---------
-2-------
---0--3--
If this doesn't help let me know, and when I get time I'll
tab her out for you. You should be able to work it out with the chords.
Later
Glen
Date: Mon, 17 Jul 1995 11:43:11 -0400 (EDT)
From: Douglas French
Subject: people_are_strange.crd
People Are Strange
Words and music by The Doors
time: 4/4
key: F minor
Fm Bbm Fm
People are strange when you're a stranger,
Bbm Fm Bbm6 C7 Fm
Faces look ugly when you're a - lone.
Fm Bbm Fm
Women seem wicked when you're un - wanted,
Bbm Fm C7
Streets are uneven when you're down, when you're
C Ab Bbm7 C7 C7
strange. Faces come out of the rain when you're
C7 Ab Bbm7 C7
strange. No one remembers your name when you're
C7 C7 C7 C7
strange when you're strange when you're strange ...
====================
Douglas French
dfrench@site.gmu.edu
====================
people_a.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Stark
Sender: news@cco.caltech.edu
>From listening to the CD "The Best of the Doors," this is my best attempt
at the guitar solo. When I play it alone, it sounds ok, but when I play it
with the cd, it sounds a little weird, so I'm not right on, but I think
I'm close.
B = half step bend
b = quarter step bend
p = pulloff
h = hammer
/ = slide to
\ = slide from
-6B---5p3p0------------------15--\12--------------------0-0-3-5-0-
-----------3-----0-/12--15b---------15-12-------------------------
-------------2B------------14-------------14p12---12-14-----------
-----------------------------------------------14-----------------
------------------------------------------------------------------
------------------------------------------------------------------
------------------------------------------------------------------
-3-5B-5B-3-0--3h5p3p0------------0-----3--------------------------
---------------------2--2p0--0-2----2/4--4\2-p0-------------------
---------------------------2--------------------2-0-2-------------
------------------------------------------------------------------
------------------------------------------------------------------
The main guitar part is picked through three chords:
EADGBe
------
E minor: 022000
Unknown: X02200
Unknown: 221000
I'm not sure what the rest of the chords are, since there is so much keyboard in the song, but this should get you started.
-Serge
--
|Serge Belongie e-mail: sergeb@caltech.edu |
|"I saw a werewolf drinking a pina colada at Trader Vic's. |
| His hair was PERFECT." |
| -Warren Zevon |
riders_o.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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From: Mathew Alexander Berry
Message-Id: <199309070404.AA12825@wraith.cs.uow.edu.au>
Subject: /doors/Riders On The Storm
To: jamesb@animal-farm.nevada.edu
Date: Tue, 7 Sep 1993 14:04:08 +1000 (EST)
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Riders On The Storm
Words and Music by The Doors
with vib. effect B(0.25)
|--------|---------|--------|------------|------|---------|---------------|
|--------|---------|--------|------------|------|---------|---------------|
|--------|---------|--------|------------|------|---------|---------------|
|--------|2---2-0-2|--------|2-2-2-0-2-0-|------|---------|---------------|
|--------|---------|--------|-----------2|0-----|0-0-0-3-0|---------------|
|--------|---------|--------|------------|------|---------|-0-------------|
Riders on riders on in-to this in-to this world
the storm the storm house were born were thrown
|---------|--------------|-----------|-------------|----------------|
|---------|--------------|-----------|-------------|----------------|
|---------|--------------|0----------|-------------|----------------|
|2-0------|--------------|2----------|-------------|----------------|
|---2-0---|--------------|3----------|-------------|----------------|
|------3-0|--5-----------|-----------|-0-----------|-(0)------------|
Like a dog an actor out Riders on There's a
without a bone on loan. on the storm
Rhy.Fig.1
|-----------------|------------|--------------------|
|-0---0-2---2-3---|---3-2---2--|--------------------|
|---0-----0-------|-0-----0---0|---repeat last-two--|
|-----------------|------------|------------bars----|
|-----------------|------------|--------------------|
|-----------------|------------|--------------------|
killer on the road, his brain is squirming like a toad. Take
|----------7-7-|8-8---10-10-|-----------|---------------|
|-5--5-----7-7-|8-8---12-12-|0-0-2---2-3|---3-2---2-----|
|--------------|9-9---11-11-|-0----0----|-0-----0-------|
|--------------|------------|-----------|---------------|
|--------------|------------|-----------|---------------|
|--------------|------------|-----------|---------------|
a long holiday let your if you
childern play
(openD)give this man a ride sweet fa(openC)mily will die,
end Rhy.Fig.1
|-----------------|-------|
|-0---0--2----2--3|---3--2|
|---0-------0-----|-0-----|
|-----------------|-------|
|-----------------|-------|
|-----------------|-------|
Gotta love your man. Yeah.
Guitar solo B(0.5) B(0.25)
|----------|-------------0|--0-0---|--------------|-----------|
|----------|----------0h2-|0----3-0|--------------|-----------|
|-------0--|-------0h2----|--------|2--2-0--------|-----------|
|2--2-2---2|----0h2-------|--------|------2-2--0--|-----------|
|----------|-0h2----------|--------|-------------2|0-0-3-0----|
|----------|--------------|--------|--------------|-----------|
|-----------------0---|----------|-------------|---2------2|
|-----------2-0-------|----------|-------------|---3------3|
|------2-0-----2h4--/4|-2-0----/4|-4-2-0-/4---0|---2------2|
|-2-0-----2-----------|-----2----|-------------|0--0------0|
|----2----------------|----------|-------------|-----------|
|---------------------|----------|-------------|-----------|
|----0--|------|------|-------------------|-------------------------|
|----1--|-0----|-(0)--|--------0h2---2--3-|-(3)---------------------|
|----0--|-0----|-(0)--|--4---4-----0------|-------------------------|
|--2----|-2----|-(2)--|----5--------------|-------------------------|
|--3----|------|------|-------------------|-------------------------|
|-------|------|------|-------------------|-------------------------|
Verse2:Girl you
With rhy.Fig.1
gotta love your man
Girl you gotta love your man.
Take him by the hand;
make him understand.
The world on you depends, our life will never end.
Gotta love your man.
Rhy.Fig.2
|----12--12---14--14-|--15--15---14--14------|
|----12--12---14--14-|--15--15---14--14------|
|----12--12---14--14-|--16--16---14--14------|
|--------------------|-----------------------|
|--------------------|-----------------------|
|--------------------|-----------------------|
Play Rhy.Fig2 24 times(use it for a model for improvisation)
|-0-----------|--(0)-------|-------------|------------------|
|-0-----------|--(0)-------|-------------|------------------|
|-0-----------|--(0)-------|-------------|------------------|
|-2-----------|--(2)-------|-------------|------------------|
|-------------|------------|-------------|------------------|
|-------------|------------|-------------|------------------|
Play first two bars of Rhy.Fig1 twice
then play all of Rhy.Fig.1 for final verse.
Guitar solo two: ~~~~~ B1R
|----------------|-------------------|----|-----------------------|
|0---0--2-----2h3|-------------------|----|-----------------------|
|--0-------0-----|9/11--9/11-9-7-9/11|----|9/11--11-9-7-9---------|
|----------------|-------------------|----|-----------------------|
|----------------|-------------------|----|-----------------------|
|----------------|-------------------|----|-----------------------|
B(0.5)R PB_____R
|-----------------|--------------------|-------------------------|
|-----------------|--------------------|-------------------------|
|(9)-7-6--9--(9)/4|-(4)-6-----(6)---4-6|4---2--4-4----4-(4)------|
|-----------------|--------------------|-------------------------|
|-----------------|--------------------|-------------------------|
|-----------------|--------------------|-------------------------|
B1 B1_________R B(0.5)________R
|-------|----------------|------------------|---------------------|
|-------|----------------|------------------|---------------------|
|4---4--|-4--2-------2-4-|-(4)-4--4---2--4--|---(4)-----4---------|
|-------|------4---4-----|------------------|---------------------|
|-------|----------------|------------------|---------------------|
|-------|----------------|------------------|---------------------|
Riders on the storm.
|--------------------|---------------|---------------------------|
|--------------------|---------------|---------------------------|
|/11----9---7----9/11|--(11)--11\9--7|(7)---6--7--6----4----2----|
|--------------------|---------------|---------------------------|
|--------------------|---------------|---------------------------|
|--------------------|---------------|---------------------------|
Riders on the storm.______ Riders on the storm.
B1_____R B(1.5)_____R
|-------------------|-----------------|----------------|------------|
|-------------------|-----------------|----------------|------------|
|(2)--4--2----2--4-2|-(2)-4-2-4------4|(4)-2--4--2---4-|(4)-----4-2-|
|-----------4-------|-----------------|------------4---|------------|
|-------------------|-----------------|----------------|------------|
|-------------------|-----------------|----------------|------------|
Riders on the storm.
B1 B(0.5) ~~~~~~
|-----------------|---------------|------------|-------|-----------|
|-----------------|---------------|------------|-------|-----------|
|(2)--2-----2-4-4-|(4)--4-6-7--6-7|-9--9-7-9/11|9/11---|--9/1------|
|----4-4-2-4------|---------------|------------|-------|-----------|
|-----------------|---------------|------------|-------|-----------|
|-----------------|---------------|------------|-------|-----------|
Free Time
|----12----|-14----|--|--------------5----|------------12-------|
|----------|-14----|--|----10----------7--|-7-----14---12-------|
|----------|-------|--|-------11----6-----|-7-----14---12-------|
|-11-----13|-------|--|-12---------------7|-------14---12-------|
|----------|-------|--|-------------------|-------14------------|
|----------|-------|--|-------------------|---------------------|
--------------------------------------------------------------------------
Just make soft harmonic tones at the end
--------------------------------------------------------------------------
Notes:
B1_____R : Bend the note under the 'B' up one tone, hold the bend
and release
~~~~~~ : vibrato
--------------------------------------------------------------------------
Mathew Berry
u9150315@cs.uow.edu.au
Wollongong Uni.
soul_kit.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
song:SOUL KITCHEN
by:the Doors
from the album:"THE DOORS" 1967
TRASCRIBED BY:LUIGI DE TROIA
(INTRO):A D A D A D7 A D
Am D7 A D7 A D7 A D7
Well, the clock says it's time to close now
I guess I'd better go now
I'd really like to stay here all night
The cars crawl past all stuffed with eyes
Street lights share their hollow glow
Your brain seems bruised with numb surprise
Still one place to go
Still one place to go
Em D7 Em D7 Em
Let me sleep all night in your soul kitchen
D7 Em D7 Em
Warm my mind near your gentle stove
D7 Em D
Turn me out and I'll wander baby
E7
Stumblin' in the neon groves
A D6 A D6
Well, your fingers weave quick minarets
A D6 A D6
Speak in secret alphabets
A D6 A D6
I light another cigarette
Am D A D6 Am D A D6
Learn to forget, learn to forget
A D A D6 Am D A D6
Learn to forget, learn to forget
Let me sleep all night in your soul kitchen
Warm my mind near your gentle stove
Turn me out and I'll wander baby
Stumblin' in the neon groves
Well the clock says it's time to close now
I know I have to go now
I really want to stay here
All night, all night, all night
____________________
| Luigi De Troia |
| San Damiano (AT) |
| italy |
--------------------
email: luigidt@mbox.vol.it
"life is very short, and there's no time
for fussing and fighting my friend"
(Lennon & McCartney)
spanish_.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from POST1.INRE.ASU.EDU (post1.INRE.ASU.EDU [129.219.13.81]) by post-office.nevada.edu (8.6.4/8.6.4) with ESMTP id WAA17230 for ; Thu, 3 Mar 1994 22:25:55 -0800
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Date: Thu, 03 Mar 1994 23:27:52 -0700 (MST)
From: Paul Zimmerman
Subject: TAB: Spanish Caravan - Doors
To: jamesb@NEVADA.EDU
Message-id: <01H9JX9DJTLU8Y5T4B@asu.edu>
Content-transfer-encoding: 7BIT
Spanish Caravan
e ---------0---------0-------------0------0-------|
B -------4---4-------4-------------4------4-------|
G -----4-------4-----4-------------4------4-------|
D ---4-----------4---4-------------4------4--4----|
A -2-----------------2----------------------------|
E ------------------------------------------------|
e -0--0--------0--------0---------0--------0---------0----------|
B -5----5--------5--------5---------5--------5---------5--------|
G -5------5--------5--------5---------5--------5---------5------|
D -5--------5--------5------------------5------------------5----|
A -----------------------------3------------------3-------------|
E --------------------------------------------------------------|
e ------------------------0-0-0-----0-0-0-----3-3-3-----2-2-2-----0-0-0----|
B -------------------------------------------------------------------------|
G ----0-0-0-----0-0-0------------0-----------------------------------------|
D -----------5---------5-------------------5---------5---------5-----------|
A -4-----------------------------------------------------------------------|
E -------------------------------------------------------------------------|
e ----0-0-0-----0-0-0-----0-0-0-----0-0-0----|
B -------------------------------------------|
G -------------------------------------------|
D -----------5-------------------5-----------|
A -4-------------------4---------------------|
E -------------------------------------------|
e ----0-0-0-----0-0-0-----0-0-0-----0-0-0----|
B -------------------------------------------|
G -------------------------------------------|
D -----------5---------5---------------------|
A -3-----------------------------3-----------|
E -------------------------------------------|
e ----0--------0--------0--------0---------0--------0--------0--------0-------
B ------4--------4--------4--------4---------4--------4--------4--------4-----
G --------0--------0--------0--------0---------0--------0--------0--------0---
D ----------4--------4--------4------------------4--------4--------4----------
A-2-------------------------------------2-------------------------------------
E----------------------------------------------------------------------------2
e -0--------0--------0--------0--------|
B ---4--------4--------4--------4------|
G -----0--------0--------0--------0----|
D -------4--------4--------4-----------|
A -------------------------------------|
E -------------------------------------|
e ----0--------0--------0--------0--------0--------0--------0--------0-------|
B ------4--------4--------4--------4--------4--------4--------4--------4-----|
G --------0--------0--------0--------0--------0--------0--------0--------0---|
D ----------4-----------------4----------------------------------------------|
A -3-----------------3-----------------2--------0----------------------------|
E -------------------------------------------------------3--------2----------|
e ----0----------------------------------|
B ----1--------------3--2-----------0----|
G ----0----------------------------------|
D ----2-----2--1--0-----------------7----|
A ----3--------------------3-------------|
E -0-----3--------------------3/7--------|
This Next part is where the Harpsichord starts
e -----------------|------------------------------------------|
B -0--1-----0------|----12--13------12------------------------|
G -------2-----0---|------------14------12--14--11--12--11----|
D -----------------|-2----------------------------------------|
A -----------------|------------------------------------------|
E -----------------|------------------------------------------|
e ---------------------------------|----------------------------------------|
B ----0------0-----0-----0------0--|----0-----0------0-----0-----0------0---|
G ---------------------------------|----------------------------------------|
D -9-----10-----7-----9------------|-------9-----10-----7-----9-------------|
A --------------------------10-----|-7------------------------------10------|
E ---------------------------------|----------------------------------------|
e -------------------------------------------------------------------|
B ----0-----0------0-----0-----0------0-----0-----0------0-----0-----|
G -------------------------------------------------------------------|
D -------9-----10-----7-----9------------7---------------------------|
A -7------------------------------10-----------9-----10-----7--------|
E -------------------------------------------------------------------|
e --------------12----------------------|
B --------15----------13----15----12----|
G --------------------------------------|
D --14----------------------------------|
A --------------------------------------|
E --------------------------------------|
e -------------12----------------------|
B -------15----------13----15----12----|
G -12----------------------------------|
D -------------------------------------|
A -------------------------------------|
E -------------------------------------|
e -------------12----------------------|
B -------15----------13----15----12----|
G -12----------------------------------|
D -------------------------------------|
A -------------------------------------|
E -------------------------------------|
e -----------------------------------------|
B -----0-----0------0-----0-----0------0---|
G -----------------------------------------|
D --------9-----10-----7-----9-------------|
A --7------------------------------10------|
E -----------------------------------------|
e -----------------------------------------|
B -----0-----0------0-----0-----0------0---|
G -----------------------------------------|
D --------9-----10-----7-----9-------------|
A --7------------------------------10------|
E -----------------------------------------|
e -----------------------------------------|
B -----0-----0------0-----0-----0------0---|
G -----------------------------------------|
D --------9-----10-----7-----9-------------|
A --7------------------------------10------|
E -----------------------------------------|
e --------------------------|-----------------------|
B -13------12---------------|-----------------------|
G -----14------12--11-------|--11--12--14--11--12---|
D ---------------------14---|-----------------------|
A --------------------------|-----------------------|
E --------------------------|-----------------------|
e ----------------------------------|------------------------|
B -----12---------------------------|------------10----------|
G -14------14--12--11--12--14--12---|-9--11--12------9--12---|
D ----------------------------------|------------------------|
A ----------------------------------|------------------------|
E ----------------------------------|------------------------|
e ----------------------------------------|
B ----0-----0------0-----0------0-----0---|
G ----------------------------------------|
D -7--------------------------------------|
A -------9-----10-----7-----10-----8------|
E ----------------------------------------|
e ----------------------|----------------------|----------------------|
B ----------------------|----------------------|----------------------|
G --------4--------4----|--------4--------4----|--------3--------3----|
D -----4--------4-------|-----4--------4-------|-----2--------2-------|
A --2--------2----------|--2--------2----------|--3--------3----------|
E ----------------------|----------------------|----------------------|
e -----8--7------7------------|--------------------|
B -10--------10-----10--8--7--|----7--------7------|
G ----------------------------|-9-----7--9-----9---|
D ----------------------------|--------------------|
A ----------------------------|--------------------|
E ----------------------------|--------------------|
e --------------7------------|-----------------------|
B -7--8--10--8-----10--8--7--|---------5--------5----|
G ---------------------------|-----6--------6--------|
D ---------------------------|-7--------7------------|
A ---------------------------|-----------------------|
E ---------------------------|-----------------------|
e -------------------------|-------------------------|
B -------------------------|-------------------------|
G ---------3-----------3---|---------4-----------4---|
D -----2-----------2-------|-----4-----------4-------|
A -3-----------3-----------|-2-----------2-----------|
E -------------------------|-------------------------|
e -------------------------|---------5---------------5-----|
B -------------------------|-5---------------7---8---------|
G ---------4-----------4---|-----5-------5-------5---------|
D -----4-----------4-------|-----------------5-------5-----|
A -2-----------2-----------|-------------------------------|
E -------------------------|-5-----------------------------|
e -----------------5-------5---|-6-------6---10---8---6---------|
B -----5---7---8-------8-------|-----8--------------------10----|
G -7---------------------------|--------------------------------|
D -----------------------------|--------------------------------|
A -----------------------------|--------------------------------|
E -----------------------------|--------------------------------|
e -8-------8---10---12---10---8---|----------13---8-----------------|
B -----7--------------------------|------9------------9--------9----|
G --------------------------------|-10--------------------10--------|
D --------------------------------|---------------------------------|
A --------------------------------|---------------------------------|
E --------------------------------|---------------------------------|
e ---------5-------------------|---------3---------------3---|
B -7---------------7-----------|-----------------5---6-------|
G -----7---------------7-------|-----3-------3---------------|
D -7-----------7-----------5---|-----------------3-------3---|
A -----------------5-----------|-----------------------------|
E -----------------------------|-3---------------------------|
e ---------3-------------------|---------1---------------1---|
B -5---------------5-----------|-----------------3---4-------|
G -----5-------5-------5-------|-----1-------1---------------|
D -----------------------------|-----------------1-------1---|
A -3---------------3-------3---|-----------------------------|
E -----------------------------|-1---------------------------|
e ----------------10---------------|-9-----------9---14------------|
B -11--------11-------11-------11--|---------10----------------10--|
G ------10----------------10-------|-----11---------------11-------|
D ---------------------------------|-------------------------------|
A ---------------------------------|-------------------------------|
E ---------------------------------|-------------------------------|
e ---------------------|----------------------------|
B -12------------------|--(12)----------------------|
G ---------------------|----------------------------|
D ---------------------|----------------------------|
A ---------------------|----------------------------|
E ---------------------|----------------------------|
e ---------1------------------|---------2---------------2---|
B -3---------------3---3------|-----------------4---5-------|
G -----3-------3--------------|-----2-------2---------------|
D -------------------------3--|---------------------2-------|
A -1---------------1----------|-----------------------------|
E ----------------------------|-2---------------------------|
e ---------------------|------------------------|
B -4-------------------|-(4)--------------------|
G -4-------------------|-(4)--------------------|
D -4-------------------|-(4)--------------------|
A -2-------------------|-(2)--------------------|
E ---------------------|------------------------|
The chords for the first verses run something like this:
Em Am B7 Em
Carry me caravan, take me away
Em Am B7 Em
Take me to Portugal, take me to Spain
Am Em B7/F# Em
Andalusia, with fields full of grain
Am Em B7/F# Em
I have to see you again and again
Em D7sus2 D7 D7sus4 D7 D7sus2 C
Take me Spainish caravan, yes I know you can.
I hope that's what you wanted I think next I'll work on LA Woman.
----------------------------------------------------------
-Mike | "I am the Lizard King
| I can do anything"
| - James Douglas Morrison
Peace,
Paul Z audsm@asuacad :-)
--
"Life is what happens to you while you're busy making other plans"
~~~~~~~~~~~~~~~~~~~~~ - John Lennon ~~~~~~~~~~~~~~~~~~~~
strange_.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Strange Days
The Doors
Strange Days Album
Opening Em5
Em5 Am9 Em5 Am9
Strange Days have found us
Em5 Am9 Em5 F#
Strange Days have tracked us down
G C G c
They're going to destroy
G C G
Our Casual joys
G B Bb Am G
We shall go on playing or find a new town.
G B Bb Am G G B Bb Am G
Em5 Am9 Em5 Am9
Strange days have found us
Em5 Am9 Em5 F#
And with their strange hours we linger alone
G C G C G
Bodies confused Memories misused
G B Bb
As we run from the day to a strange
Am G
night of stone.
I don't think the chord names are right so here they are.
Em5 Am9
-----------------------------
e-0-----------0--------------
B-0-----------0--------------
G-4-----------2--------------
D-2-----------2--------------
A-2-----------0--------------
E-0-----------X--------------
Play the other chords however you can.
I might have put the chord changes in the wrong spots so pay attention
when you are playing along.
By Mike Henderson
and Joshua Jimenez
Strange Days
The Doors
Strange Days Album
Opening Em5
Em5 Am9 Em5 Am9
Strange Days have found us
Em5 Am9 Em5 F#
Strange Days have tracked us down
G C G c
They're going to destroy
G C G
Our Casual joys
G B Bb Am G
We shall go on playing or find a new town.
G B Bb Am G G B Bb Am G
Em5 Am9 Em5 Am9
Strange days have found us
Em5 Am9 Em5 F#
And with their strange hours we linger alone
G C G C G
Bodies confused Memories misused
G B Bb
As we run from the day to a strange
Am G
night of stone.
I don't think the chord names are right so here they are.
Em5 Am9
-----------------------------
e-0-----------0--------------
B-0-----------0--------------
G-4-----------2--------------
D-2-----------2--------------
A-2-----------0--------------
E-0-----------X--------------
Play the other chords however you can.
I might have put the chord changes in the wrong spots so pay attention
when you are playing along.
By Mike Henderson
and Joshua Jimenez
take_it_.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
song:TAKE IT AS IT COMES
by:the Doors
from the album:"THE DOORS" 1967
TRASCRIBED BY:LUIGI DE TROIA
Em G
Time to live
D Em
Time to lie
Time to laugh
Time to die
Am F E
Takes it easy, baby
Am F E
Take it as it comes
A F E
Don't move too fast
Am F E
And you want your love to last
Am F E
Oh, you've been movin' much too fast
(STRUM.)
Am F E (X4)
Am
Time to walk
Time to run
Time to aim your arrows
at the sun
Takes it easy, baby
Take it as it comes
Don't move too fast
And you want your love to last
Oh, you've been movin' much too fast
(STRUM.)
Am F E (X6)
Am F E
Go real slow
Am F E
You like it more and more
Am F E
Take it as it comes
Am F E
Specialize in havin' fun
Takes it easy, baby
Take it as it comes
Don't move too fast
And you want your love to last
Oh, you've been movin' much too fast
Am F E
Movin' much too fast
Am F Am
Movin' much too fast
____________________
| Luigi De Troia |
| San Damiano (AT) |
| italy |
--------------------
email: luigidt@mbox.vol.it
"life is very short, and there's no time
for fussing and fighting my friend"
(Lennon & McCartney)
the_end.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from POST1.INRE.ASU.EDU (post1.INRE.ASU.EDU [129.219.13.81]) by post-office.nevada.edu (8.6.4/8.6.4) with ESMTP id WAA17209 for ; Thu, 3 Mar 1994 22:25:13 -0800
Received: from ASUVM.INRE.ASU.EDU (MAILER@ASUACAD) by asu.edu (PMDF V4.2-13
#2382) id <01H9JX8II3DC8Y5T4B@asu.edu>; Thu, 3 Mar 1994 23:25:07 MST
Received: from ASUACAD (NJE origin AUDSM@ASUACAD) by ASUVM.INRE.ASU.EDU (LMail
V1.1d/1.7f) with BSMTP id 3518; Thu, 3 Mar 1994 23:27:26 -0700
Date: Thu, 03 Mar 1994 23:27:11 -0700 (MST)
From: Paul Zimmerman
Subject: TAB: The End - Doors
To: jamesb@NEVADA.EDU
Message-id: <01H9JX8IID0Y8Y5T4B@asu.edu>
Content-transfer-encoding: 7BIT
THE END
from the album 'The Doors'.
---------------------------------------------------------------------------
(Sixth string to D)
(All chords are the usual open ones)
[D]
4/4
|---------------||------------------|-----------------|------------------||
|---------------||---------3----2---|-3------3---2----|-3-------3--------||
|--------------.||-----------2------|----------2------|-----------2------||
|-------0----0-.||-------0------0---|------0-----0----|------0-------0---||
|-----0----0----||----0-------------|----0------------|----0-------------||
|--0------------||-0----------------|-0---------------|-0----------------||
[D] [C] [D]
|----------------|------------------|-----------------|-------------------|
|----------------|------1----1---0--|------------3--2-|----------3--------|
|---2--2--2---2--|------------------|--2----------2---|-------------2-----|
|----------------|------------------|---------0-----0-|-------0--------0--|
|----------------|------------------|------0----------|-----0-------------|
|------3---------|------------------|--0--------------|-0-----------------|
This is the end beau - ti - ful friend
[C] [D] [C] [G]
3/2 4/4
|----------------|------------------|-----------------|-------------------|
|----------------|----1----1--------|-------1-------0-|---1---3---0-------|
|---2--2--2---2--|--------------0---|---2------2------|---------------0---|
|----------------|------------------|-----------------|-------------------|
|----------------|------------------|-----------------|-------------------|
|------3---------|------------------|-----------------|-------------------|
This is the end my on - ly friend, the end of our e-lab-orate
[D] [C] [D]
3/2 4/4 3/2
|----------------|------------------|-----------------|
|------1-------0-|-1----3---0-------|------1--------0-|
|--2-----2-------|---------------0--|-2-------2-------|
|----------------|------------------|-----------------|
|----------------|------------------|-----------------|
|----------------|------------------|-----------------|
plans, the end of ev-erything that stands, the end. No
[C] [G] [D] [C]
4/4 3/2
|----------------|------------------|-----------------|
|-1---3---0------|-----1--------3---|-3--1--3--3--3-1-|
|-------------0--|--2----2----------|-----------------|
|----------------|------------------|-----------------|
|----------------|------------------|-----------------|
|----------------|------------------|-----------------|
safety or sur---prise the end. I'll never look into your
[D]
2/2 4/4
|----------------|------------------|-----------------|-------------------|
|-----------1----|------------------|-----------------|-------------------|
|--2-------------|--2---------------|-2---------------|------2------2-----|
|----------------|------------------|-----------------|-------------------|
|----------------|------------------|-----------------|-------------------|
|----------------|------------------|-----------------|-------------------|
eyes a ------gain.______________ Can you
[C] [D] [G7] [D]
|--0--0---0--0--0|------------------|--1---0----------|-------------------|
|----------------|--3-------5---3---|-----------3---1-|-------------------|
|----------------|------------------|-----------------|---2---------------|
|----------------|------------------|-----------------|-------------------|
|----------------|------------------|-----------------|-------------------|
|----------------|------------------|-----------------|-------------------|
picture what will be, So________ lim - it-less and free
[C] [D] [G] [D]
|----------------|------------------|-----------------|-------------------|
|--3--3--3--3----|-----------1--1---|--------1--------|-----------1---1---|
|----------------|--4--2------------|------------0----|---2---------------|
|----------------|------------------|-----------------|-------------------|
|----------------|------------------|-----------------|-------------------|
|----------------|------------------|-----------------|-------------------|
des-perately in need__ of some stran-ger's hand in a
[C] [D]
|---------1---0--|------------------|-----------------|------------------||
|----------------|---3--------------|-----------------|-----------3------||
|----------------|------------------|--------3-----2--|-------------2----||
|----------------|------------------|-----------2-----|--------0-------0-||
|----------------|------------------|-----0--------0--|-----0------------||
|----------------|------------------|-0---------------|-0----------------||
des-perate land.
Additional Lyrics:
Lost in a Roman Wilderness of pain,
And all the children are insane;
All the children are insane;
Waiting for the summer rain.
There's danger on the edge of town,
Ride the King's highway,
Weird scenes inside the goldmine;
Ride the King's highway west, baby.
Ride the snake, to the lake, The ancient lake.
The snake is long, seven miles;
Ride the snake, He's best.
The west is best.
Get here and we'll do the rest.
The blue bus is calling us.
Driver, where you taking us?
The killer awoke before dawn,
He put his boots on,
He took a face from the ancient gallery,
And he walked on down the hall.
He went to the room where his sister lived,
And then he pays a visit to his brother,
And then he walked on down the hall.
And then he came to a door,
And he looked inside,
'Father?'
'Yes, son?'
'I want to kill you.'
'Mother, I want to...'
It hurts to set you free but you'll never follow me.
Come on, baby, take a chance with us,
And meet me at the back of the blue bus.
Peace,
Paul Z audsm@asuacad ~O8>
/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\__/\
\/ \/ \/ \/ \/ \/ \/ \/
/\ "How terrible a thing is knowledge /\ /\ /\ /\ /\ /\ /\
\/ when it brings no profit to the wise..." \/ \/ \/ \/ \/ \/ \/
/\__ __ __ __ __ __ __ __ __ __ __ __ __/\__/\__/\__/\__/\__/\__/\
\/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/ \/
touch_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Tue, 23 Dec 1997 13:47:56 +0100
From: "p. Benes"
Subject: "Touch me" by "The Doors"
TOUCH ME by THE DOORS
(Album "The Soft Parade")
I played this song along the album according to some other versions I was
able to find and it didn't sound well. So, I tried to write my own version
of this song - here is the result.
INTRO:
4 times: Am Am Am G Am Am G Am Bm
2 times: Am7 Am7 Am7 G7 Am7 Am7 G7 Am7 Bm7
1 times: Am7 -stop-
VERSE:
Come on, come on, c'mon, c'mon now
G
Touch me babe,
Bm C Cm
Can't you see that I am not afraid.
A# Dm
What was that promise that you made?
D# F#
Why won't you tell me what she said?
C#
What was that promise that she made?
CHORUS:
F# Fm
Now I'm gonna love you
F# G# C#
till the heaven stops the rain.
F# Fm
I'm gonna love you
F# G# F#
till the stars fall from the sky
C#
for you and I.
REPEAT INTRO:
4 times: Am Am Am G Am Am G Am Bm
2 times: Am7 Am7 Am7 G7 Am7 Am7 G7 Am7 Bm7
1 times: Am7 -stop-
VERSE:
Come on, come on, c'mon, c'mon now
G
Touch me babe,
Bm C Cm
Can't you see that I am not afraid.
A# Dm
What was that promise that you made?
D# F#
Why won't you tell me what she said?
C#
What was that promise that she made?
CHORUS:
F# Fm
Now I'm gonna love you
F# G# C#
till the heaven stops the rain.
F# Fm
I'm gonna love you
F# G# F#
till the stars fall from the sky
C#
for you and I.
F# Fm
I'm gonna love you
F# G# C#
till the heaven stops the rain.
F# Fm
I'm gonna love you
F# G# F#
till the stars fall from the sky
C#
for you and I.
ENDING:
? times: Am Am Am G Am Am G Am Bm
Here I've tabbed the intro how I think it could be played:
e|----------------|----------------|----------------|----------------|
B|----------------|----------------|----------------|5-5-5-35-5-35-7-|
G|----------------|----------------|5-5-5-45-5-45-7-|5-5-5-45-5-45-7-|
D|7-7-7-57-7-57-9-|7-7-7-57-7-57-9-|7-7-7-57-7-57-9-|7-7-7-57-7-57-9-|
A|----------------|----------------|----------------|----------------|
E|----------------|----------------|----------------|----------------|
1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 .
e|--------------- -|--------------- -|----------------|
B|8-8-8-68-8-68-10-|8-8-8-68-8-68-10-|8---------------|
G|5-5-5-45-5-45-7 -|5-5-5-45-5-45-7 -|5---------------|
D|7-7-7-57-7-57-9 -|7-7-7-57-7-57-9 -|7---------------|
A|--------------- -|--------------- -|----------------|
E|--------------- -|--------------- -|----------------|
1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 .
Come on, come on ...
Of course, there may be some mistakes - in chords and mainly at the intro.
If you find some of them or if you have comments, please, email: jbenes@czn.cz
=========================
Petr Benes
Prague - Czech Republic
jbenes@czn.cz
=========================
P.S.: Excuse my english, if you don't understand something ;-)
twentiet.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id ; Mon, 6 Sep 1993 21:00:16 -0700
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(5.65c/IDA-1.4.4); id AA11954; Tue, 7 Sep 1993 13:59:40 +1000
(from u9150315@cs.uow.edu.au for jamesb@nevada.edu)
From: Mathew Alexander Berry
Message-Id: <199309070359.AA11954@wraith.cs.uow.edu.au>
Subject: /doors/Twentieth Century Fox
To: jamesb@animal-farm.nevada.edu
Date: Tue, 7 Sep 1993 13:59:39 +1000 (EST)
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Content-Length: 6713
Twentieth Century Fox
Words and Music by The Doors
A Rhy.Fig.1
|--------||5--------------------------|5--------------------------|
|------5-||---5---8-----------------5-|----5---8--------------5---|
|--5h6---||----------6p5h6------6-----|------------------5h6------|
|7-------||-----------------7---------|------------5----7---------|
|--------||---------------------------|---------------------------|
|--------||---------------------------|---------------------------|
(end Rhy.Fig.1)
|5-----------------------|5--------------------------------------||
|---5---8---------------5|---5---8----------------5--------------||
|----------6p5h5-----6---|-------------------5h6-----------------||
|-----------------7------|-----------5----7----------------------||
|------------------------|---------------------------------------||
|------------------------|---------------------------------------||
Verse 1 with Rhy.Fig.1 x2
Well she's fashionably lean, and she's fashionably late.
She'll never rank a scene, she'll never break the date.
A G D F
/ / / / / / / /
But she's no drag just watch the way she walks
Rhy.Fill 1(first time)
E E7
|-----------------|----------0||
|---0-0---0-0---0-|-0-----3---||
|---1-1---1-1---1-|-1---1-----||
|---2-2---2-2---2-|-2---2-----||
|-----------------|-----------||
|-0-----0-----0---|---0-------||
Rhy.Fill 2(second time)
E E7
|-----------------|--------------0----0----||
|---0-0---0-0---0-|-0-----3--0-------------||
|---1-1---1-1---1-|-1---1------1-----------||
|---2-2---2-2---2-|-2---2------------------||
|-----------------|------------------------||
|-0-----0-----0---|---0--------------------||
A G A
/ / / / /
She's a Twentitheth century fox.
A G A
/ / / / /
She's a twentitheth century Fox.
|-----------|--3--------3--|1-----------|0-----0------0------|
|-----5-----|----3---3----3|--1--------1|--1--------1--------|
|-----5-----|------4-------|----2----2--|----0----0----------|
|--7--------|--------------|------3-----|--------------------|
|-----------|--------------|------------|--------------------|
|-----------|--------------|------------|--------------------|
No tears no fears no ruined years, no clocks
2nd time to CODA
|--0------0-----|------0-----0--||---5---5------5--5-|-------------|
|----0------0---|--3------------||---5---5----7----5-|-------------|
|1-----1------1-|1--------1-----||---6---6--7--------|---6---------|
|---------------|---------------||---7---7-----------|---7---------|
|---------------|---------------||-------------------|-------------|
|---------------|---------------||-------------------|-------------|
She's a Twentieth century fox now yeah
Guitar Solo
B(0.5) B(0.5) B1___R B1____R
|--8------5--------|--------------------|------------------------|
|-----------8-----8|--------------------|------------------------|
|------------------|0-7---(7)5----5----7|----7--5----------------|
|------------------|-----------7--------|---------7--5---7--5----|
|------------------|--------------------|---------------------7--|
|------------------|--------------------|------------------------|
|----------------|---------------------|----------------5--8-----|
|----------------|---------------------|--------5--6--7----------|
|----------------|---------------------|5--6--7------------------|
|----------------|--------------5--6--7|-------------------------|
|-5--7--5--------|------5--6--7--------|-------------------------|
|---------8--7--5|-5--8----------------|-------------------------|
B(0.5)R B1 B1__R B(0.5) B(0.5)
|-5--5/8--8h10-10----(10)|8-10---10-(10)--8--/12|--------12-------12|
|------------------------|----------------------|--13-------13------|
|------------------------|----------------------|-------------------|
|------------------------|----------------------|-------------------|
|------------------------|----------------------|-------------------|
|------------------------|----------------------|-------------------|
B(0.5) B(0.5) B1 B1___R
|-------12---------12-16/17-|17----17----------------------|---------------|
|-13--------13--------------|----------19-17---------------|---------------|
|---------------------------|----------------19--(19)h17---|---------------|
|---------------------------|----------------------------19|17h19--17------|
|---------------------------|------------------------------|----------19-19|
|---------------------------|------------------------------|---------------|
Verse 2 Rhy.Fig.1 x2
she's the queen of cool
And she's the lady who waits
Since her mind left school it never hesitates
She won't waste time on elementary talk.
Chorus 2(same music)
'Cause she's a twentieth century fox
She's a twentieth century fox
Got the world locked up inside a plastic box.
CODA..
|5-------------------5-|-----5--5--5------------------------|
|5----------7--7--7--5-|-----5--5--5----7---7---------------|
|6----6h5---7--7--7--6-|-----6--6--6----7---7---------------|
|7----7-----7--7--7--7-|-----7--7--7----7---7---------------|
|-----------5--5--5----|----------------5---5---------------|
|----------------------|------------------------------------|
twentieth century fox now yeah
|------5---------------5---|---5---------------5|----5-----5--5---|
|------5--------7----------|---5-------x--------|----5---7----5---|
|5h6--------5---7---7-----7|6-------5-----7--7--|--6---7------6---|
|--------------------------|--------------------|7----------------|
|--------------------------|--------------------|-----------------|
|--------------------------|--------------------|-----------------|
twentieth century fox. now babe. Twentieth century fox,
|------5------5----|------------------------|----------------------|
|-----------7----5-|------------------------|----------------------|
|---6-----7------5-|-6-----6----4---4---4--|--6-------------------|
|------------------|-7-----7----5---5---5--|--7-------------------|
|------------------|-7-----7----5---5---5--|--7-------------------|
|------------------|-5-----5----3---3---3--|--5-------------------|
now. she's a Twen-tie-th cen-tu--ry FOX.
-----------------------------------------------------------
Notes:
/ / - my attenpt at rhy slashes
for Rhy.Fig.1 I find it best to hold an A such like:
-----------
| | | x o o5th fr.
| | | o | |
| | o | | |
x x 3 2 1 1
-----------------------------------------------------------
Mathew Berry
u9150315@cs.uow.edu.au
Wollongong uni.
waiting_.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: natasa.karas@kiss.uni-lj.si
Date: Sun, 30 Nov 1997 11:51:07 +0100 (CET)
To: guitar@olga.net
Subject: CRD: Doors/ Waiting for the sun
Doors:
Waiting for the sun
Intro:
D7 / G / Gm / D
D D7 G Gm Riff1
At first flash of Eden we raced down to the sea,
D7 G Gm Riff1
standing there on freedom's shore.
-----------------------------------------
*Chorus:
Eb F G Eb F G Eb F D
Waiting for the sun, waiting for the sun, waiting for the sun.
-----------------------------------------
D7 G Gm Riff1
Can't you feel it, now that spring has come,
D D7 G Gm Riff1
that it's time to live in the scattered sun.
-------------------------------------------
*Chorus
-------------------------------------------
Gm Bb F Gm Gm F Gm
Waiting, waiting, waiting, waiting. Waiting for you to come along,
Gm F Gm
waiting for you to hear my song.
Gm F Gm
Waiting for you to come along,
Gm F Gm
waiting for you to tell me what went wrong.
Gm F Eb Dm Gm
This is the strangest life I've ever known.
Eb F Gm
Waiting for the sun.
---------------------------------
*Riff1:
Listen to the song for timing:
D/D/F/D/F/G
( Try playing this chords by just playing B,G and D string )
---------------------------------
natasa.karas@kiss.uni-lj.si
wild_chi.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sun, 1 Sep 1996 15:16:52 +0200
From: Guy
Subject: TAB: Artist: The Doors; Song: Wild Child!!!
Artist: The Doors
Song: Wild Child
Album: The Soft Parade
e------------------------|
B------------------------|
G------------------------|
D------------------------|
A-------3----------------|
E--5-5------5-5-5-5-3-0--|
That is all I have figured, but that is the main riff!!
Someone who has the real version for this, please mail me it!!!
Guy Buttery
'''
(o o)
+--------0oo-----------(_)--------------------+
| Guy Buttery |
| rose@sprintlink.co.za |
| http://www.geocities.com/SunsetStrip/5463 |
+----------------------------------oo0--------+
|__|__|
|| ||
oo0 0oo
winterti.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From tamsun.tamu.edu!bcm!cs.utexas.edu!rutgers!netnews.upenn.edu!eniac.seas.upenn.edu!waltersm Thu Dec 10 14:01:47 PST 1992
Article: 467 of rec.music.makers.guitar.tablature
Path: nevada.edu!tamsun.tamu.edu!bcm!cs.utexas.edu!rutgers!netnews.upenn.edu!eniac.seas.upenn.edu!waltersm
From: waltersm@eniac.seas.upenn.edu (Michael J Walters)
Newsgroups: rec.music.makers.guitar.tablature
Subject: CRD: Wintertime Love
Message-ID: <101178@netnews.upenn.edu>
Date: 9 Dec 92 00:36:46 GMT
Sender: news@netnews.upenn.edu
Distribution: usa
Organization: University of Pennsylvania
Lines: 50
Nntp-Posting-Host: eniac.seas.upenn.edu
Hello all,
Since its winter and the Doors are my favorite band, here is a little
known Doors classic.
Wintertime Love
from Waiting for the Sun
by The Doors
Into: D A E A
Verse:
Em7 D F C
Wintertime winds blow cold this season
Dm F Bb A
Fallin in love I'm hopin to be
Em D F C
Wind is so cold, is that the reason
Dm F Bb A E A
Keeping you warm, your hands touching me
Chorus:
G D D7
Come with me, dance, my dear
F# Bm
Winter's so cold this year
G A G A D A E A
You are so warm, my wintertime love to be
Additional verse:
Wintertime winds blue and freezin
Comin from northern storms in the sea
Love has been lost, is that the reason
Trying so desperately to be free
Little known but one of my favorite Doors tunes.
BTW if anyone has chords for "Who do you love" by George Thorogood
or for "Wild Thing" by the Troggs I'd appreciate them
I know they are easy songs but my tin ear can't pick out anything.
----------------------------------------------------------
-Mike | "I am the Lizard King
| I can do anything"
| - James Douglas Morrison
Популярность: 15, Last-modified: Wed, 19 Aug 1998 12:24:14 GMT